Quiet Hollers

Quiet Hollers

Alone At 3AM

Sat · June 10, 2017

Doors: 8:00 pm / Show: 9:00 pm

The Southgate House Revival-Revival Room

$10.00

This event is 18 and over

Quiet Hollers
Quiet Hollers
Quiet Hollers are an indie band formed in Louisville, Kentucky by singer-songwriter Shadwick Wilde.

In 2013, the band’s debut, I Am the Morning, a “reverb-soaked dive into stream-of-consciousness confessionals” (No Depression) featured a drummer whose neck was literally broken-- the band refusing to postpone their session at Louisville's famed Funeral Home studio, after a waterfall-diving accident.

Although the alt. country-influenced album was received with applause from the European blogosphere, and a smattering of indie music writers for whom it was a “Best of 2013,” it flew mostly under the radar, while the band continued to tour across the eastern half of the US, often using connections from Wilde’s years as guitarist-for-hire for acts such as the seminal Dischord Records' band, Iron Cross,

Quiet Hollers produced their sophomore full-length without label support... relying instead on a dedicated cult following who funded nearly the entire project, Released in late 2015, "Quiet Hollers" runs the proverbial gamut of the band’s influences- college rock, alt. country, post-punk, indie pop- introducing Wilde's literate, hook-laden narratives to the national stage. Consequence of Sound called it a "beautiful portrait," breaking the "confines of roots music," and PopMatters deemed the album "wonderfully unique," with a "strong post-hardcore influence."

While the band continued to tour extensively on the festival and DIY circuits, a somewhat unlikely licensing opportunity found "Mont Blanc" and "Aviator Shades" playing in nearly every Starbucks store in the US and Europe, while "Cote d'Azur" and "Flood Song" were used in the cable TV shows "Kingdom" and "Guilt," airing Summer 2016. The bands latest single, "Broken Guitar" premiered via Consequence of Sound in May 2016, while the band continues to write and record for a third full-length release.
Alone At 3AM
Alone At 3AM
Emerging from shambolic basement shows and early roster shake-ups, over 16 years Max Fender and Joey Beck have coiled midwest stalwarts Alone at 3AM into a tightly-wound muscular force with “a refreshing straightforwardness not found in most music” (Scene).

The band has been at a dead run since 2010’s album Cut Your Gills and 2012 single From an Ohio Basement, reveling in hard-earned rock and roll escapism while revealing substantial songwriting chops. Embedded in these earliest songs, some of which like “Blacktop Cracks” remain live favorites, are unresolved questions. Often the only answer is found in the act of living in the fleeting combustion of a three minute song, that brief musical connection between band members and an audience.

Alone at 3AM explore the balance between volume and personal reflection on their 2012 LP Midwest Mess, which cemented Fender’s reputation as one of Cincinnati’s most prolific and insightful songwriters. Bucketful of Nails was waiting for it, claiming, “occasionally an album comes along that has that fire, that smoldering spark your soul requires.” With songs like “Weekends at the Cape” and “Walk Away,” the singer has become more confident in the precisely personal while the band investigates new sonic territory - from the brittle postpunk of “Wolf in the Woods” to the stomping set-closing catharsis of “Burn This Town.” Throughout, Sarah Davis’s harmonies fuse with and console Fender’s tattered vocals in the band’s most far-reaching release to date. Popmatters deemed the record “raw, honest, literate storytelling, [with] brilliant song structures, [and] a built-in integrity.”

As the most recent and strongest iteration of Alone at 3AM prepares their 2015 release Show the Blood, location again plays a singular role as Fender, reaching for simple moments of grace, ruminates on his home in the midwest, a place that’s never quite here or there. And though influences can be heard throughout - a buzz through, say, Detroit, southern California, or St. Paul - the end result is a testament to the power of a confident and road-tested rock band coming to terms with living in the in-between.

“On Alone At 3AM’s new album, Show The Blood, frontman Max Fender ruminates on his home in the Midwest, a place that's never quite here or there. And though influences can be heard throughout—a buzz through Detroit, Southern California or St. Paul—the end result is a testament to the power of a confident and road-tested rock band coming to terms with living in the in-between.” – GUITAR WORLD

“…a superb album from the first to the last track.” – NO DEPRESSION

“… upbeat and catchy” - CINCINNATI ENQUIRER

“Show The Blood finds Alone At 3AM in fine polished form. The group, which these days consists of five members, puts a tough Rust Belt attitude into a sound that is equal parts rock and roll, alt. country, and Americana, bringing to mind groups like the Drive-By Truckers and Lucero.” - GLIDE MAGAZINE

“ Active since 1999, this Cincinnati roots-rock band has entered a particularly fertile period in the last half-decade, including a new full-length with an Ohio-River viewpoint for Midwestern songwriting a la Uncle Tupelo.” - MILWAUKEE JOURNAL-SENTINEL
Venue Information:
The Southgate House Revival-Revival Room
111 East 6th Street
Newport, KY, 41071
http://www.southgatehouse.com/