Patrick Coman

Patrick Coman

Joe Macheret, Todd Day Wait's Pigpen, Renee Wahl

Thu · September 7, 2017

9:30 pm

The Southgate House Revival-The Lounge

Free

This event is 21 and over

Patrick Coman
Patrick Coman
“It’s true, I’m a long way from home,” Patrick Coman says with a faint twang that remains the most enduring clue to his beginnings south of the Mason-Dixon line. A fixture of Boston’s vibrant roots music scene as a performer, organizer of the New England Americana Festival and the For the Sake of the Song series, and as the host of Local Folk on Boston’s Americana radio station WUMB, Coman has made much of his five years in the Northeast, but it doesn’t quite yet feel like home.

An Okie from just north of Muskogee, Patrick grew up under the spell of his hometown’s famed Tulsa Sound. Equal parts red dirt, blues, rock, soul, and country this unique regional sound was the perfect template for a budding songwriter with a voracious and wide-ranging appetite for roots music.

Patrick’s latest effort Reds & Blues was written in homage to the albums that lie at the heart of this foundation. Each song was written as a mythical “missing track” to an album that has contributed to the unique style he calls “playing the reds and blues”. These albums include everything from touchstones by Bob Dylan, The Band, and the Rolling Stones to work from Tulsa Sound pioneers Leon Russell, JJ Cale, and lesser known gems from Whiskeytown, Big Star, and rockabilly legend Jerry Lee Lewis.

The initial inspiration for Reds & Blues comes from Patrick’s concert series For the Sake of the Song, which spotlights current songwriters paying tribute to the artists who have inspired them. Explains Coman, “As we began our fourth year I was looking for ways to up the ante. We had already done everything from video episodes to full album concerts, so I thought it would interesting to put these influences on display in creating something brand new. It also seemed like a great opportunity for self-excavation so that I could really explore what music was down at my bedrock, because anything else I build will always be on top of that foundation.”

The album’s track listing is divided into three stages. The album’s first three songs, which Patrick calls the “Purple” section, most seamlessly integrate his “Reds & Blues” style. As the album continues, these influences are pulled apart slightly into “Red” and “Blue” sections each with two songs. In discussing the listening experience Patrick says, “I’m a huge music nerd. I studied music history in college, I’m constantly researching artists for my radio show, and I am addicted to linear notes. For people that obsess as much as I do, this album is going to be fun. It rewards multiple listens because then you really hear how we are playing with these different influences using call backs and references in the lyrics and melodies.”
Joe Macheret
Joe Macheret
..of Joe's Truck Stop & The Tillers

Joe Macheret (Cincinnati, OH), bandleader, has also lent his instrumental skills on stage and in the studio to folks like the Tillers, Woody Pines, JD Wilkes, Rachel Brooke, the Urban Pioneers, Wayne Hancock, Lucky Tubb and the Modern Day Troubadours, Lenny Lashley, and many other musicians and bands. Through Joe’s Truck Stop’s touring effort and Joe’s work as a sideman with several touring bands, Joe’s Truck Stop has a following that spreads throughout the United States, as well as numerous other countries.
Todd Day Wait's Pigpen
Todd Day Wait's Pigpen
In 2009, Todd Day Wait put everything he owned on the curb of his home in Columbia, Missouri, and started what would become a seemingly never-ending cross-county voyage. Traveling in a vegetable oil-powered airport shuttle bus, he headed out to California by way of the Rocky Mountains, and ended up in New Orleans. Along the way, he would find collaborators where he could, picking up one line-up for a few states, and rotating regionally. Relying on each musician’s various strengths, Todd would adapt his music to suit them, shifting genres as he did states. Through this process, Todd Day Wait arrived at a musical aesthetic that blends blues, folk, country, early R&B, and soul. In 2012, after years on the road, Todd Day Wait relocated to New Orleans. Today, Todd Day Wait’s Pigpen can be found playing on the streets of the French Quarter and in venues throughout New Orleans.
Renee Wahl
Renee Wahl
Nashville singer/songwriter Renée Wahl has a secret — countless secrets, actually.

In addition to her bandmates, known collectively as the Sworn Secrets, Wahl accumulated a career full of others as a captain in the U.S. Air Force with top-secret clearance when assigned to the National Security Agency.

Perhaps her duties in the world of covert operations helped her hone her authenticity as a songwriter and as a performer. So does playing the very stages in East Nashville that are the epicenter of the burgeoning singer/songwriter-centric scene that’s being described as Nashville’s New Outlaw movement. And now, the Pennsylvania native is carving out her own space at the recently rediscovered intersection where authentic Nashville songwriting meets Music Row.

Inspired by groundbreaking artists including Neko Case, Buddy and Julie Miller, Linda Ronstadt, and Ryan Adams , Wahl deftly crafts accessible songs that explore the human experience. From escaping emotional torment to finding a short-term solution to a temporary loneliness problem, few topics are off limits when it comes to Wahl’s powerful and personal approach to songwriting.

“Songwriting can be very personal, and in some ways, it can be secretive,” Wahl says. “When writing, I dig deep, and that sometimes brings up subjects that I might not normally talk about in an open environment.”

The youngest of four in her blue-collar family, Wahl earned an undergraduate degree in physics from East Stroudsburg University in Pennsylvania and a masters in aeronautics from the acclaimed Embry-Riddle Aeronautical University in Florida. While show business may be in her blood — her grandmother was a Vaudeville singer and tap/acrobat — she owes her interest in the Air Force to her grandfather, who served as a tail-gunner on a B29 “Superfortress” in World War II as part of the group that supported the Enola Gay. Another forebear took part in the American Revolution and, as an owner of two whiskey stills, later participated in the historic Whiskey Rebellion of 1791.

“I am so grateful for having the opportunity to serve my country in such a meaningful way, and I appreciate the experiences it provided me,” Wahl says. “I draw upon those, a lot actually, in songwriting. Plus, they help me deal with some of the rigors of this crazy industry.”

Also helping her “deal with the rigors” of being an independent artist in Nashville’s dynamic music industry is her drive to be as exciting on stage as she is honest in her songwriting.

Wahl also challenges herself to find the next level in her recordings. Toward that end, Wahl invited iconic singer/songwriter and producer Buddy Miller to sing on her upcoming single “Wild Living.” The song will available this fall when she releases the first of two EPs due out before year’s end. Each was produced by Patterson Barrett, who’s worked with, among others, Buddy Miller, Jerry Jeff Walker and Gurf Morlix.

In 2011, Wahl self-released Cumberland Moonshine, a full-length LP, to critical praise. She has also had cuts on other artists’ albums, including three for Nashville’s own Bill Maier. Television and film placements include a CBS-produced documentary and the Geordie Shore, British equivalent to Jersey Shore.

With the release of her highly anticipated EP this fall, secrets are about to be revealed…

Bio Credit: Skip Anderson
Venue Information:
The Southgate House Revival-The Lounge
111 East 6th Street
Newport, KY, 41071
http://www.southgatehouse.com/