Abe Partridge, Casey Campbell (solo)
Wed August 7, 2024 7:00 pm (Doors: 6:30 pm )
The Southgate House Revival - Revival Room
Ages 18 and Up
$12 adv/$15 dos
Abe Partridge

In my short 37 years, I have lived a tale that few before me could have claimed. I'm a son of the deep south. On both sides, my family traces its roots back generations to the cotton fields of Alabama. I was born and raised in the port city, Mobile. She is lined with Spanish moss-covered oaks that date back further than the Confederacy, antebellum homes, and remnants on every corner of her troubled past. Held by the French and Spanish, it holds much the same character as its sister city, New Orleans. Earning her the title “the Southern Baptist New Orleans”.... because just as thick as the culture in this town, is the religion that has tempered it. Like most other southern towns, it is saddled with churches of every sort and bridled by their politics.

My mother was a piano teacher/church pianist. She took me to church every week where I was saturated with the hymns of the old red-back hymnal. My father had an extensive collection of rock n roll records. He had dubbed a cassette of the White Album that I would play on a toy cassette player next to my bed as a kid. I guess my earliest musical memories are Precious Lord and Helter Skelter. Then came the year punk broke. I fell hard for rock n roll when I picked up Nevermind, and I really haven't been the same since.

Baptists and punks don't really jive that well. And after a few years of trying to force them into compatibility, I had a religious experience and put aside rock n roll for a leather-back bible. After graduating high school, I headed off to bible college. It seemed like the right thing to do. I didn't do so hot in bible school. I transferred out of the first two I attended after only one semester. I spent two years in another, and one final year in yet another. That's right... 4 bible colleges in 4 years. Partly because I knew better, partly because I couldn't stand to be told what to do, and partly because I am a drifter at heart – I just never could get comfortable in that type of environment.

There was a pawn shop just down the street from one of the bible schools I attended.. I went down on one rainy afternoon and bought a banjo. I thought it was cool. I was playing Cripple Creek in a few weeks. My love for making music began.

Right here, I should say something about my religious background. I found that kind of old fashioned, bible thumping religion that hardly exists outside the South. A religion that forbade televisions in home, pants on women, absolute literal interpretation of the bible, complete rejection of pop culture … you get the idea. Also prevalent in this sect of christianity, is the fervent and passionate worship experience. A preacher of this cloth was expected to preach with his whole being. Often memorizing blocks of scripture, then reciting it on Sunday morning in dramatic fashion. Driving his congregation to shouts of joy, and the silence of conviction. Begging and pleading for individuals to make decisions for Jesus. Breaking sweats, waving handkerchiefs, and screaming to the point of losing their voices week after week. That was me. A red knuckle preacher with leather lungs.

I married the day after I finished bible school. We settled in northwest Georgia – in a single-wide trailer – in a backwoods holler – with nothing but hope and love. A degree in ministry doesn't get you far in any corporate HR department. I took every job I could find while balancing church work. I had around 15 different W-2's in 3 years. We scraped by on minimum wage and started having babies.

A little church in the Appalachian Mountains of Kentucky called me to be their pastor when I was 25 years old. I proudly took it. I was a young man in an old man's game. I went there with fire in my bones and a dream.

I don't like to talk about what happened after that. Suffice it to say I became acquainted with a depression I'd never known. I failed – in that calling, you only succeed if you die in the field. A failure that was hard to swallow. I'd spent 9 years of my life pursuing ministry. I became acquainted with Dylan, Townes, and Son House. Then I began writing my own songs.

Broke emotionally, spiritually, and financially, I packed up a rental truck with every possession I had along with my wife and two children. I headed back to the only place I was welcome. Home.

I moved in with my Mama as a 27 year old, abject failure.

Devoid of any opportunity to provide for my family, I joined the military. Yeah, spent some time in the desert. Don't really like to talk about this either.

Now I am here... Abe Partridge, the songwriter. I got a bunch of stories to tell. At 37, I finally found my calling. You are listening to it. I ain't faking it. I live it. Love.

People have said that Abe Partridge sounds older than his chronological age, and there’s a very good reason for that – he’s packed a lot of living into his 37 years.

Those experiences, ranging from the earthy to the surreal, the spiritual light to the depths of depression, come together with gripping intensity on Partridge’s second full-length album, Cotton Fields and Blood for Days. Over the course of ten songs, this troubadour draws listeners in with a combination of southern gothic storytelling and a dark humor reminiscent of the late Townes Van Zandt – delivered in a gravelly tone that conjures up images of Tom Waits in his barstool warming days.

Partridge may have a gift for communing with ghosts, but he’s not consumed by them. Listening to him unspool tales like “Prison Tattoos” and “Out of Alabama Blues,” it’s impossible to ignore his knack for separating the wheat from the chaff, the gold from the muck as he ponders the further reaches of the region where he’s spent so much of his life.


Casey Campbell

Though the stump Casey Campbell perches atop to sing may be new to him, the roots it springs from are as familiar as dirt between the toes. Singing and song have been a blanket across his entirety, from old country churches to amphitheaters, across forgotten hollers of Alabama to the ancient meander of the Ohio Valley.  For several years he has been a musical vagabond and hired gun, just recently settling in with his Americana outfit Buffalo Wabs and the Price Hill Hustle.  Venturing solo for the first time, Campbell takes years of stage experience and entertainment credentials to craft a thoughtful and reflective approach to music and songwriting.