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Charismo is the Hackensaw Boys record you’ve been waiting to hear. The 11-track album feels like the zenith release of the band’s 17 years, gathering their diverse life experiences and myriad of roots influences, and crystallizing them into a magnum opus on the Hackensaw way of being. Traditional Appalachian and Delta music lay the groundwork, but it’s injected with a heavy dose of the contemporary, good-times-roll kind of spit and vinegar the band has become known for over the years. 

Produced by Larry Campbell – who has lent his talents to Bob Dylan, Levon Helm, and countless others – Charismo sees the band reeled in and slightly refined, though still as spirited as ever. The songs (all written by longtime Hackensaws David Sickmen and Ferd Moyse) are tinged with an attitude of scrappy resilience, spinning tales and metaphors of everyday, working class struggles and triumphs. With Campbell’s production, the Hackensaw’s somewhat casual, porch-front aesthetic is sharpened around the edges, focusing in on the simple beauty of their melodies and the earnestness in their delivery. 

Transcendent of the parts that make up its whole, the record has a collective feel that reflects the band’s rambling history; the Hackensaws have been a home for dozens of musicians over the years, but have steadfastly endured through life’s many changes. With Charismo, the Boys don’t let down on providing their signature ever-present, feel-good energy. It’s the kind of intangible presence that reminds us of our connection to other people and to our history, to the idea that we are a part of something much larger than ourselves. 

The name of the album is the same as the percussive instrument invented by Justin Neuhardt (who played with the band in its early days) that has been employed nightly since the band’s maiden tour 16 years ago. The charismo is made of recycled wood and scrap – tin cans, hubcaps, and so on – and is constantly broken down and re-assembled as the parts wear out and new ones are found. Much like the fluid, ever-changing nature of the instrument, Charismo shows us that The Hackensaw Boys are always moving forward like a mighty wheel turning, continuing to spread the (not quite) bygone spirit of down-home music to old and new audiences alike.

Mike Oberst is an accomplished multi-instrumentalist, musician, and songwriter best known as a co-founder of the Cincinnati, Ohio string band, The Tillers. 

Mike was born and raised in the Sayler Park neighborhood of Cincinnati, a stone’s throw from the historic US Route 50 as it winds down the banks of the Ohio River. He was introduced to music at a very early age, starting Suzuki piano lessons at the age of four. At the age of 13, Mike’s father showed him some chords on the guitar, and within a year, he began forming punk rock bands with his friends. Over the next decade, Mike’s bands “Disarm” and later, “The Resurgence”, became fixtures on the local punk scene. 

Mike’s interest in traditional music began with his membership in the Cincinnati Caledonian Bagpipe and Drum Corps from the ages of 17 to 22. At age 23, Mike became a part of “The Blue Rock Boys”, an Irish Traditional Folk band, which gave Mike his first taste of the life of a touring musician. 

When The Blue Rock Boys went on hiatus in 2007, Mike began performing solo shows around town. During this time, he became consumed with a love of clawhammer-style banjo playing and an interest in American folk music in the vein of Woody Guthrie, Leadbelly, Pete Seeger, and other Depression-era performers. He soon chanced upon a like-minded musical compatriot in the form of guitarist Sean Geil, with whom Mike formed the band “The Tillers”. 

The Tillers’ rise to prominence in the local and regional folk scene was a rapid one, bolstered by a stroke of good fortune in the summer of 2009, when The Tillers’ recording of Mike’s song “There is a Road (Route 50)” was featured on veteran NBC news anchor Tom Brokaw’s USA Network television documentary on the history and significance of US Route 50. 

The Tillers maintained a relentless touring, performing, and recording schedule over the next three years, releasing three more albums, becoming a staple at folk festivals throughout the country, and sharing the stage with luminaries and heroes such as Doc Watson, Ramblin’ Jack Elliott, Iris DeMent, Jerry Douglas and many more. 

In 2011, Mike released his first solo album, “Mike Oberst and His Five-String Banjo”, which featured collaborations with a number of Mike’s musician friends from Cincinnati and beyond. 

Also that year, Mike was the driving force behind “To Sing with You Once More”, a benefit concert to raise money and awareness to fight multiple myeloma cancer, the disease which claimed both Mike’s mother Lori and one of his musical heroes, Mike Seeger. The concert, which featured rare appearances by folk giants like John Cohen and Tracy Schwarz, was a rousing success. 

Mike continues to play and tour, both solo and with The Tillers. He was recently bestowed with the Ohio Arts Council Traditional Arts Apprenticeship for clawhammer banjo in 2011-12, and again in 2013-14. He also teaches clawhammer banjo lessons from his home to a number of students both locally and regionally. 

Mike’s appreciation and gratitude to the tradition of Field Recording for its preservation of rapidly-disappearing musical styles and traditions has led him to attempt some of his own. In 2016 he produced and co-recorded an album of original music by North Carolina songwriter Jean Dowell. He is currently in the early stages of recording and compiling the music of legendary Kentucky fiddler Tommy Taylor. 

Mike is also interested in traditional American folk art, history and ways of life, and methods of sustainable city living. He enjoys gardening, farming, and raising chickens at his home.