Silverada
The Southgate House Revival - Sanctuary
Thu
July 24, 2025
8:00 pm
(Doors: 7:00 pm)
Ages 18 and up
$25 adv/$30 dos
Buy Tickets
Evolution. It's what keeps the best bands afloat — song after song, show after show,record after record.
Mike Harmeier was still in his early 20s when he formed Mike and the Moonpies. Fromthe start, they were the definition of a workingman's country band, cutting their teethwith five-hour sets on Austin's dancehall circuit before spreading their music to the restof America. By the early 2020s, they'd become global ambassadors of homegrownTexas music, flying their flag everywhere from Abbey Road Studios (where theyrecorded 2019'sCheap Silver & Solid Country Goldwith help from the LondonSymphony Orchestra) to the Grand Ole Opry.The growth was remarkable, but all that momentum left Harmeier and his fourbandmates — drummer Taylor Englert, guitarist Catlin Rutherford, bassist OmarOyoque, and steel guitarist Zachary Moulton — looking for something new. After all,their music had decidedly changed. Why shouldn't their name do the same?Silveradamarks a new chapter in the band's history. It's not just the title of the boldestrelease of the group's critically-acclaimed career; it's also the name of the reinvigorated band itself.
Mike Harmeier was still in his early 20s when he formed Mike and the Moonpies. Fromthe start, they were the definition of a workingman's country band, cutting their teethwith five-hour sets on Austin's dancehall circuit before spreading their music to the restof America. By the early 2020s, they'd become global ambassadors of homegrownTexas music, flying their flag everywhere from Abbey Road Studios (where theyrecorded 2019'sCheap Silver & Solid Country Goldwith help from the LondonSymphony Orchestra) to the Grand Ole Opry.The growth was remarkable, but all that momentum left Harmeier and his fourbandmates — drummer Taylor Englert, guitarist Catlin Rutherford, bassist OmarOyoque, and steel guitarist Zachary Moulton — looking for something new. After all,their music had decidedly changed. Why shouldn't their name do the same?Silveradamarks a new chapter in the band's history. It's not just the title of the boldestrelease of the group's critically-acclaimed career; it's also the name of the reinvigorated band itself.
Mike Harmeier was still in his early 20s when he formed Mike and the Moonpies. From the start, they were the definition of a workingman's country band, cutting their teethwith five-hour sets on Austin's dancehall circuit before spreading their music to the restof America. By the early 2020s, they'd become global ambassadors of homegrownTexas music, flying their flag everywhere from Abbey Road Studios (where theyrecorded 2019'sCheap Silver & Solid Country Goldwith help from the LondonSymphony Orchestra) to the Grand Ole Opry.The growth was remarkable, but all that momentum left Harmeier and his fourbandmates — drummer Taylor Englert, guitarist Catlin Rutherford, bassist OmarOyoque, and steel guitarist Zachary Moulton — looking for something new. After all,their music had decidedly changed. Why shouldn't their name do the same?Silveradamarks a new chapter in the band's history. It's not just the title of the boldestrelease of the group's critically-acclaimed career; it's also the name of the reinvigoratedband itself.
"Back in the day, all we wanted to do was play the Broken Spoke," says Harmeier,nodding to the hometown honky-tonk in Austin, TX, where Silverada began sowing theseeds for a sound that mixed timeless twang with modern-day dynamics. "We haddifferent aspirations back then. We were still figuring out what kind of band we weregonna be, and that took a lot of time and a lot of records."A lot of records, indeed.Silveradamarks the group's ninth release, and it balances thestrengths they've accumulated along the way — sharp, detailed songwriting thatbounces between autobiographical sketches and character studies; gorgeous swells ofpedal steel that drift through the songs like weather; a rhythm section capable of countryshuffles, hard-charging rock & roll tempos, and everything in between — with awillingness to break old rules and open new doors. "Radio Wave" is a roots-rock anthemfor the highway and the heartland, peppered with Springsteen-worthy hooks and WarOn Drugs-inspired atmospherics. "Eagle Rare" launches the band into outer spaceduring its explosive middle section, which the band improvised in the recording studio."Stay By My Side" showcases Silverada's road-warrior credentials — the band recordedthe track live during a tour across the American Southeast, capturing it in a single takeat Capricorn Sound Studios in Macon, Georgia — while "Wallflower" blends the organicwith the otherworldly, finding room for harmonized guitar solos, driving disco beats, and 808 percussion.
"Going into the studio, everybody in the band felt inspired to do something bigger thanwhat they'd done before," Harmeier explains. "We all knew we were at a precipice, andwe wanted to jump. I brought in some songs that were metaphorical and not alwaysstraightforward, and that showed the guys that I wanted to take this music somewherenew... so they threw their own rulebooks out the window, too."Harmeier wrote the bulk ofSilveradain his backyard studio, surrounded by dozens ofbooks he'd picked up at a local Goodwill. "We'd been on tour for so long, playing thesame set for almost two years, and I wanted to write something that was a departure,"he remembers. Jeff Tweedy's books on songwriting were a big help, but Harmeierpushed himself to get weird, too, finding inspiration in everything from astronomy textsto sci-fi novels. "I would read some, work a little bit, read some more, and work a littlemore," he says of the creative process. "I spent a full month in that studio, going thereevery night, making word ladders and highlighting lines and learning to free write."Recorded at Yellow Dog Studios with longtime producer/collaborator Adam Odor,Silveradapropels the band forward without losing sight of their roots. "Stubborn Son" —a loving, unsparing sketch of the family patriarch who set Harmeier's creativity in motion— unfolds like a close cousin toSteak Night at the Prairie Rose's title track, laced withfiddle solos from longtime George Strait collaborator Gene Elders. "Doing It Right"channels the same throwback, slow-dance ambiance that informed 2019's "You LookGood in Neon." "Load Out," which chronicles the grind of blue-collar jobs both on andoff the road, could've found a home on 2021's One To Grow On.
There's a smart sense of history here — a celebration not only of where the band isheaded, where they've been, too. Even so,Silveradadoesn't spend much time lookingin the rearview mirror. Instead, it keeps its gaze focused on the road ahead. This is asnapshot of a band in motion, chasing down the next horizon, writing the soundtrack tosome new discovery. It's the sound of alchemy, of some new metal being forged. Andlike silver itself,Silveradashines brightly."We spent the first part of our career figuring out who we are and what we're good at,"says Harmeier. "Now we want to evolve not only the sound of the band, but the dynamicof the live show, too. We're all lifers here. We're in this for the long haul.Silveradais ussetting the stage for the next leg of the journey."