Viva Le Vox bubbled up out of the South Florida muck in 2008. Often found playing open mics and their local laundromat spreading their peculiar blend of punk rock, ragtime, and blues, their live performances soon gained enough attention to land them in the clubs. It wasn't long before they took their show state-wide. With their first full length release, Desperation Alley in 2009, they ventured out into the southeastern United States. In 2010 they released Wayward Ones and took on the rest of America, touring almost nonstop for the next two years with a short break to record Dirt For Sale with Joe Buck (Joe Buck Yourself, Hank III, Legendary Shack Shakers).
The band's lineup has embodied many forms since its inception, and at this point Tony teamed up with Joe on upright bass to continue spreading VLV's weirdness here in the states and make the jump across the pond to Europe. In 2014 the duo recorded Luv Hungry and made their second run to Europe and the UK in 2015. Upon their return, Tony reunited with original bassist Scarecrow Jenkins and convinced long time friend Johnny Tugboat to take up the drums, soon relocating the base of operations to North Carolina. The trio released The Fall Of Skivvy Starzo in 2016 and continue to blow asses off throughout the galaxy....
With a closet full of boots, a heart full of wander and a soul full of songs, the charming and multi-talented Kentucky “Wonky Tonk” woman releases her debut album Stuff We Leave Behind in hopes of continuing her Wonky ways with a lighter heart in lieu of finding the Neverland in all of
Jasmine Lorraine “Wonky Tonk” Poole grew up in the hard scrabble portion of the American heartland. Kentucky, to be precise. Her world of loss and longing is familiar terrain for lovers of country, bluegrass and folk music but, just as Kentucky can be viewed as a bridge between north and south, Wonk’s music blends elements of Indie/Alternative rock with old school country. It’s hard to separate the wonk from the tonk. Nor should you try.
Wonk’s influences, John Prine, Guy Clark, Modest Mouse and Loretta Lynn among them (especially Loretta), are apparent but her music is not derivative. Loretta, Skeeter Davis, Iris Dement and Jenny Lewis come to mind but none of her comparables quite pin her down. Wonk is her own cowgirl. “Cowgirls get up in the morning, decide what to do and do it”, she was told as a child. Fiercely independent but naturally shy Jasmine uses her alter ego and blue cowgirl boots to deal with the notion of impossibly cruel but equally exhilarating existence.
One byproduct of youthful innocence is a constant disappointing, bewildering surprise:
You used to call me baby
You used to call me darlin’
Now you don’t call me at all
Another is vulnerability and manipulability:
In the greasy ballroom
You whispered in my ear
Darlin’ life is a gamble, romance a drug
The whole world is dancin'
Won’t you give in and love
Her eleven song debut release Stuff We Leave Behind deals with the necessity of moving on at critical points in your life. Stuff that once seemed important must be cast aside, ex-lovers relegated to the shadows. “Heartbreak makes the jukebox play”, she was once told. Her song titles reflect her wandering spirit and a fascination with time and place. “Cleveland." “Denmark." “Tennessee." “Montague Road." A veteran troubadour at such a tender age, Wonk has toured Europe with the same restless drive as her native Northern Kentucky.
Tom Robbins told us that even Cowgirls Get the Blues but all is not remorse and regret. Jangly sunshine pops through the clouds unexpectedly, such as in “Parkland Avenue” (arguably the best track). Though softly. Without the glare.
Wonk’s lyrics are worth a read even without the music. The album tracks her evolution as an artist and a person. The gravel, rutted road to an emerging wisdom.
Tennessee didn’t you hear
Money’s not real and neither is fear
Pay attention to Wonk. Not just because she is talented and beautiful. Pay attention because she has an important purpose. To help you remember. To help you forget. Or to help you remember why you chose to forget.
With love from Kentucky,