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North Carolina’s Sarah Shook sings with a conviction and hard honesty sorely lacking in much of today’s Americana landscape. Always passionate, at times profane, Sarah stalks/walks the line between vulnerable and menacing, her voice strong and uneasy, country classic but with contemporary, earthy tension. You can hear in her voice what’s she’s seen; world weary, lessons learned—or not—but always defiant. She level-steady means what she says. Writing with a blunt urgency—so refreshing these days it's almost startling—Sarah's lyrics are in turn smart, funny, mean, and above all, uncompromising. The Disarmers hit all the sweet spots from Nashville’s Lower Broad to Bakersfield and take Sarah's unflinching tales out for some late-night kicks. At times, it’s as simple and muscular as Luther Perkins’ boom-chicka-boom, or as downtown as Johnny Thunders. The Disarmers keep in the pocket, tight and tough.

For the past fifteen years, The Hooten Hallers have been crisscrossing the country as inveterate road warriors, bringing their peculiar vision of Americana–a fiery rock and roll fever dream birthed in Missouri’s fertile musical heartland. They’ve put so many miles into the road that they’ve burned through multiple tour vans and left twisted metal and frayed rubber strewn across the road behind them. With their aptly named new album, Back In Business Again, the trio roar back on to the international stage with ten incendiary new original songs drawn from their many travels and inspired by the hardships that all touring musicians have faced throughout a seemingly never-ending pandemic. There’s hope in these new songs, but tinges of madness too, driven by the raw drumming and falsetto howl of Andy Rehm, the infernal growl and swirling guitars of John Randall, and the low rolling baritone and bass saxophones of Kellie Everett. The Hooten Hallers have always been musical colliders, smashing together everything from pre-war jazz to Chicago blues with jaunts around New Orleans and garage rock explorations with hints of punk rock. It’s Morphine meets ZZ Top mixed a dash of George Thorogood and Tom Waits along St. Louis’ Mississippi waterfront. Produced by bassist Dominic Davis (Jack White, Greensky Bluegrass), Back In Business Again takes a match to The Hooten Hallers’ fuse and explodes the renegade power trio to the edge and back again, one vigorous, swinging, perfectly peculiar song at a time. Bubbling beneath the rip-roaring surface of the new album are all-original songs of outsider Americana delight, from tall tales about near-mythological characters, to a eulogy commemorating the demise of 15 years worth of tour vans, to heartfelt blues, thoughtful love songs, and well beyond. Listening to the howls and growls of The Hooten Hallers’ new album, to the burning sax lines and powerful drumming, you’ll hear the pure joy of this band reveling in their newfound groove. 

Down to hell and back again is one way to put the feeling behind a lot of the songs currently coming from Dead Man String Band fronted by Northern Kentucky's Rob McAllister. With songs of loss, persistence, and a little tongue in cheek.
Dead Man String Band has headlined the stage at Fountain Square (Cincinnati), played Bunbury Music Festival, headlined the CincyMusic Relaunch Party (2016), and is a staple in the Northern Kentucky and Cincinnati Music Scene.